I've been continuing to create abstract landscapes pieces suggestive of fields seen from the air, or topographical maps, using the language of lines and dashes I've been building up in my work. Four new paintings have been recently released in this body of work.
Unyielding I and II, shown above, have sold but please contact me if you would like to discuss a commission.
This new collection is inspired by outback desert landscapes seen from the air, the scattering of vegetation is a combination of paint and embroidery.
The Australian outback is a rich tapestry of changing colours and patterns. Tiny dots of vegetation, wild flowers and shrubs, come and go or alter in shade with the seasons.
I'm always excited to hear the pick for Pantone Color of the Year, must be the designer in me, but I was particularly excited this morning to find they chose Living Coral. Perfect timing to introduce my current collection of coral themed artwork.
This series of works has been inspired by the beautiful natural patterns found in the underwater world – macro and microscopic images of coral, little bubbles of water on the beach and rockpools. So if you're looking for a little living coral art please check out the available originals sections of the website. Beyond the Shallows available exclusively via Art Lovers Australia.
The Art Lovers Australia Prize is on again and this year I have entered "Beyond the Shallows" a new abstract painting inspired by the beautiful natural patterns found in the underwater world.
You can vote for your favourite work and go in the draw to win a $1,000 voucher to spend on the Art Lovers Australia website. You just need be an Art Lovers Australia subscriber. If you'd like to vote for my piece just follow the link and click on the little heart next to LOVE THIS
To celebrate my very first solo exhibition in Brisbane I have put together a set of limited edition prints based on some of the original work from the show.
The Venation Series is taken from my paper cuttings which each had a background on suminagashi, Japanese marbling or watercolours behind. These pieces are inspired by the delicate patterns found in leaf veins, the venation system.
Available in three sizes, prints start from $50 including free domestic shipping.
Shop online here.
Regeneration is finally here! Wow it's been a lot of work the last few months putting together work for the inaugural Aspirant Collection Showcase and my solo show in August. I'm very excited to start sharing the finished work for the Regeneration exhibition and to say it's hung and ready to visit.
The exhibition is being held at Aspire Gallery in Brisbane where most people would have seen my woven landscapes over the past 18 months. So for this special group show I wanted to introduce something old and something new. My painted pattern work is an continuation of the weavings, inspired by nature, and my landscape painting was actually the main focus of my art practice for many years. It's been great picking up the paint brush again and I've got some interesting painting/weaving combinations coming up. In fact I'll be at the gallery on Sunday 24th working on a few new pieces along with other exhibiting artists if you get the chance, stop by and say hi.
My landscape work has always been a response to the patterns and textures found in nature, and in what I have titled my Regeneration collection to tie in with the show, it focuses on the Australian outback, mostly with an aerial perspective.
I enjoy working with an aerial view for landscapes as it highlights the commonality of patterns seen in nature and the reoccurring designs found at any scale, from the microscopic to the satellite. To show along side the landscapes I have produced a few pattern pieces inspired by tiny pollen grains seen through an electron microscope, the Mulla Mulla plant (sometimes called Pussytails) is widespread throughout mainland Australia and can often been found flowering in the desert.
The Australian outback is a rich tapestry of changing colours and patterns. Some of these same arrangements are found at the macro or microscopic level in the plants, water and rocks. Tiny dots of vegetation, wild flowers and shrubs, come and go or alter in shade with the seasons. Regenerated by rivers and creeks running like threads through the landscape.
Regeneration runs from 20th - 30th June 2018
Wednesday - Saturday 10:30am - 4:30pm
53 Kennedy Tce, Paddington
Opening Night is Saturday 23 June, 4pm - 6pm
This month sees the SNAP photography exhibition at Brisbane's Aspire Gallery come round again for another year. I really like to make a point of taking part in this one as I feel it's so important to accept and celebrate photography as the art form it is; unfortunately there are too many art sites and competitions that don't allow photography in as though it is somehow less worthy.
This year I wanted to show a different way of using photography. Rather than the photo being the finished piece itself, it is the focal point and an important part of the art making process. Several images were mixed together to create an abstract background which then formed the basis for each of the artworks above. Both include the same selection of photographs - a piece of patterned fabric, paper scraps, a string of lights and the studio desk covered in paint. Together they combine with some images of green watercolour washes to make the texture which has been collaged and painted over. The vase and the hanging basket made from woven recycled paper, and yes, the succulents are lots and lots of punched paper circles.
SNAP18 runs from the 14th - 24th March at Aspire Gallery, 53 Kennedy Tce, Paddington.
Excited to share the finished images of these two new landscapes I've been working on this month. The Lookout I and The Lookout II. Digital collages from security envelope lining, photography and watercolour washes, with cut paper on board. 25x25cm
This year I've set myself the challenge of going more three dimensional with my work, particularly with the landscapes. It was also nice to try and work with a different colour palette for a landscape with the pinks and greens.
They will be on show at Aspire Gallery next month 1 - 15 February as part of Petite Pieces 2017.
53 Kennedy Terrace Paddington
Jennifer is a contemporary Australian artist based in Brisbane, Queensland. Know for her highly decorative paintings and unique paper weavings, she explores pattern and visual perception, often highlighting the beauty in the ordinary.